Shakespeare Finds Love On A Midsummer Night :: essays research papers

The forest outside Athens is filled with changelings, magic, and ancient myth in other words, the stage is set. The night is silent and still as quartet mortals alternately hate and love, monarchs of the faerie world clash wills, and the mischief of nonpareil irrepressible woodland sprite weaves a spell over all. The jot of the shadowness is lit with the glow of foxfire black Maria are broken and mended within the span of short hours. In the bower of the Faerie Queen a man transformed by magic slumbers peacefully. The pen of William Shakespeare has captured the imagination and hearts of audiences and readers alike across the world and through the decades, alone his classic romanticist comedy, A Midsummer Nights Dream, offers something much more pro free-base. Shakespeare has found insight into the heart, and, through his verse, best exemplifies the complicated and capricious emotions found there. The play, much like reality, is sprinkled throughout with gems of humor, and i t will continue to fascinate as foresightful as there is love. Shakespeares characters are certainly the most pregnant part of A Midsummer Nights Dream. All follow up must be carried out through them all ideas must be transported to the audience through their moves and dialogue. The first and most obvious characters are the four mortal lovers. The women, Helena and Hermia, are respectively tall and fair, short and dark there are no other notable differences between them. The men, Lysander and Demetrius, halt no differences in personality that are remarked upon in the text of the play. outside the walls of Athens, inside the enchanted forest, the courts of Oberon, king of the faeries, and Titania, his queen, hold sway. The two magistrates quarrel often, but know they are meant for each other, no matter how they scowl. Their adventures include Bottom, a town actor turned into an ass by Oberon to seek visit on Titania. The last major role in Dream is robin redbreast Goodfellow, m ore commonly known as Puck. He is mischievous and kittenish his role in the faerie court is to entertain Oberon and run his errands, as he tells the faeries in Act 2 when he is introduced. In gentle nature and all its facets, there is a certain amount of infixed mirth, including sarcasm, and Shakespeare does not neglect this mirth in his writing. First, humor is used as a sort of release valve.