Mus 100 Study Guide

MUS c FINAL STUDY GUIDE CHAPTER 17 Forte balmy early piano, named for its range of dynamic levels it was sm completely and less sonorous than the modern shaft. Graeco-Roman style restrained, objective style of fraud. important refers to Western unison characteristic of the level from 1750-1825. Composers Moz fraud Invested much of his medical specialty with a degree of emotion expression unusual for his time. neer allowed emotion to dominate his fine art. Haydn Wrote pleasant, good-natured music by dint ofout his long life. Wrote masses, oratorios, and different sacred compositions for church and for concert performance. Beethoven Wrote masses, oratorios, and other religious compositions for church and for concert performance. CHAPTER 18 Form organization and design of a composition, or of adept political campaign in spite of appearance a composition. Symphony multimovement orchestral form. Sonata-Allegro commencement movement form. The 3 contributions ex position, development, and recapitulation-form a binary design. Exposition first instalment of a fugue or of a sonata-allegro. Development 2nd section of the sonata-allegro it moves through many keys. Recapitulation 3rd section of the sonata-allegro.Reviews the material of the exposition, presenting it in a virgin light. Coda Meaning, tail a finis section. Minuet and Trio ABA. Often the 3rd movement of a symphony, sonata, or string quartet. Consists of dickens minuets, the second (trio) lighter and more lyrical than the first. Cadenza extended passage for pilot instrument typical feature of a solo concerto. Rondo ABACA. Form in which mingled episodes alternate with the opening material. The tempo is commonly fast, and the mood merry. String Quartet bedroom ensemble consisting of devil violins, a viola, and a cello. Sonata ( definitive flow rate) a multimovement composition for one or devil solo instruments. CHAPTER 19 antenna introductory orchestral piece. Co mic opera (opera comique, singspiel, opera buffa) Operas light in mood, modest in performing requirements, scripted in the vernacular language of the intend audience. Requiem mass for the dead. Ensemble stopping point final scene of a melodious show in which several soloists at the very(prenominal) time express, in different words and music, their psyche points of view. CHAPTER 20 Motive little lyrical phrase that may be efficaciously developed. Art song concert linguistic context of a poem, usually by a well-known poet, to music. Lieder German art songs. claim cycle sets of songs by one composer, lots using texts all by the identical poet. Composers Schubert earliest master of amorous art son. Composed 143 songs at 18. Godfather of the quixotic period genre. CHAPTER 21-22 Cyclic form multimovement form coordinated by recurrence of the same or similar melodic material in two or more movements. exacting music instrumental music having no tended association w ith a story, poem, idea or scene non-program music. Concert overture one movement orchestral composition, often invigorate by literature and dramatic in expression, yet generally subject to epitome according to classical principles of form. Program symphony symphony (composition for orchestra in several movements) related to a story, idea, or scene, in which apiece movement usually has a descriptive title. Idee fixe single melody used in several movements of a long ready to represent a recurring idea. thematic transformation variation of thematic or melodic material for programmatic purposes.Sometimes called metamorphosis. Dies irae Gregorian chirrup for the dead. Symphonic poem ( tonus poem) programmatic composition for orchestra in one movement, which may have a traditional form (such as sonata/rondo) or an original irregular form. Composers Brahms misplaced classicist. Poured the warmest romanticistic emotional content into his classical forms. He based his music on m odels from the past. Berlioz his whole kit were based on unrequited love. use the idee fixe, which was a melodic reference to his beloved. CHAPTER 23 Character piece relatively short piano piece in a characteristic style or mood. Nocturnes mo expressing the character of night. Prelude short self-governing or introductory piece for keyboard. Etude a virtuosic instrumental study or rehearse intended for concert performance. Rubato romantic proficiency of robbing from the tempo at some points and paying(a) back at others. Composers Chopin only enormous composer who wrote almost exclusively for piano. Most pieces argon miniatures. Virtuoso pianist, most famous for lyrical and melancholic melodies.CHAPTER 25 -Post-romanticism general border for several romantic styles that succeeded the dominance of German Romanticism and preceded the return of classicism to the arts. atonalism avoidance of a tonic stemma and of tonal relationships in music. Impressionism style of depict ion and music that avoids explicit statement, instead express suggestion and atmosphere. crudity style godly by primitive works of art and by the relaxed life of unsophisticated cultures. plucked technique of plucking string instruments.Composers Mahler post-romantics. Wrestled with conflicting romantic and classical ideals. Strauss leader of post-romantic composers. Strictly classical style but developed romantic techniques. Debussy first musician labeled an impressionist. actual unusual harmonies and exotic timbres. Schoenberg inventor of the 12-tone order (serialism) Using the 12 pitches equally. 12 tone row playing the 12 pitches in whatever order no retell tones until the row has been fully played. Wrote in a free atonal style gt Drifted extraneous from traditional harmony and experimented other styles Stravinsky went through an early ballet period in the beginning the war. He went through a neo-classical period. Primitivism movement in the second go of the 20th century. Reveals romanticism characteristics. Characterized by fast(a) savage rhythms, dissonant combinations of sound and delineate melodies. Rite of Spring controversial piece, ballet, and shit piece CHAPTER 27 Experimentalism exploration of antecedently unknown aspects of musical sound. Polytonality two or more keys at the same time. Tone cluster chord built on seconds. Prepared piano piano whose timbre and pitches have been altered by the application of foreign materials on or between the strings. Twelve-tone technique arrangement of the xii chromatic pitches into a tow that provides the melodic and harmonic basis for a music composition. Row series of tones on which a serial composition is based. Composers Schoenberg inventor of the 12-tone mode (serialism) Weberm developed his own styles lean, clean, delicate, and strong. Ives invented polytonality (incorporating of two different keys). Cowell invented the plucking of a piano sound. confine 1912-1992 not t rained as a musician. Brought up in Los Angeles. Became a composer. Alatoric mold sounds and just guessed when it should be played. Conceptual art piece called 4 minutes a 33 seconds just the sounds in CHAPTER 28 Neoclassicism 12th century variant of classicism in music. Neoromanticism 12th century version of a romantic approach to music. minimal art style of music based on many repetitions of simple melodic lines that bit by bit change and slowly evolve patterns and swinging patterns. Composers Copland American nationalist composer Dean of American Music Gershwin Best known of all American opera, filled with the characteristic sounds of jazz, including shorten rhythms, expressive vocal catches and slides. Prokofiev focused on neoclassical music. Barber focused on neoromanticism. Adagio for string orchestra (tonal piece) Reich focused on minimalism. Glass focused on minimalism.